October 8th: Moe Staiano! + Opera Wolf + Karl Evangelista

Active Music Series presents Moe Staiano! + Opera Wolf + Karl Evangelista

Moe! Staiano is an experimental composer, drummer, percussionist, songwriter and multi-instrumental performance artist who has been at the forefront of the Bay Area improvisation scene for over a decade. Moe!’s innovative solo percussion shows feature prepared drum kit, found objects, audio looping and the inventive use of a “percussion guitar” woven in with performance art, which always gets the audience involved and eagerly expectant of what might happen next. He also fronts his current angular Surplus 1980, a post-punk band that continues the journey of no-wave musical exploration begun in his previous project, Mute Socialite. Surplus 1980’s revolving slate of first-class Bay Area musicians complement Moe!’s bracing guitar and wry wordplay. Here’s a past solo performance.

Opera Wolf performs free improvisation and improvised based works. The cello/sax/percussion ensemble performs graphic scores, text based score, partially notated pieces, and conducted works. Drawing on influences in contemporary classical music, free jazz, and electroacoustic experimentation, they work with atmospheric timbres, modulating rhythms and extended technique to mold sound in a way that challenges compositional organization and performance practice. Influences range from John Zorn to Edgard Varèse, and include Debussy and Sun Ra. Crystal Pascucci (cello), Joshua Marshall (sax) and Robert Lopez (percussion) have all studied composition and improvisation together under a number of preeminent musicians and educators, including Roscoe Mitchell, Fred Frith, Zeena Parkins and William Winant. Opera Wolf performs regularly in the SF Bay Area and has recently been featured in the Outsound Music Summit Festival.

Karl Evangelista, electric guitar; Michael Coleman, keys/electronics; Tom Djll, trumpet/electronics; Nava Dunkleman, percussion. With its genesis in a semi-apocalyptic duo performance between Evangelista and Coleman, an edited version of which provided the soundtrack to SNEAL’s similarly foreboding short film “The Last Days of the San Diego Zoo”, this first time quartet is a unique mixture of free improvisation, intense noise, and moody electronic textures–music that is both chilling and beautiful.

Active Music Series – Second Tuesdays at the Uptown
Music at 9 No cover, donations accepted.
activemusic.wordpress.com

October 10 at the Uptown
1928 Telegraph
Oakland

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